<?xml version="1.0" encoding="UTF-8" ?><rss version="2.0">	
	<channel>
		<title>counterpoint feed</title>
		<link>http://www.counterpoint-online.org</link>
		<description>Counterpoint is the think tank of the British Council</description> 
			 <item>
			<title>Watch four speaker's contributions to The Inner Lives of Cultures conference</title>
			<link>http://www.counterpoint-online.org/stream-video-from-the-inner-lives-of-cultures-conference/</link>
			<description>The Inner Lives of Cultures conference, February 25-6 2010, brought together keynote speaker Tzvetan Todorov, leading lights from the academy in all its many shades, filmmakers, authors, translators, and cultural relations practitioners from around the world.  

Here you can stream video of contributions from Ramin Jahanbegloo, Alena Ledeneva, Pratap Bhanu Mehta, and Sun Shuyun.  
</description>
		</item>	
				 <item>
			<title>Barbarism, civilisation, and culture: Tzvetan Todorov keynote at The Inner Lives of Cultures conference</title>
			<link>http://www.counterpoint-online.org/tzvetan-todorov-keynote/</link>
			<description>This is a complete recording of Tzvetan Todorov's keynote address, <em>Unity of civilization, plurality of cultures</em>, given at Counterpoint's The Inner Lives of Cultures conference in Brussels, 25 February 2010.</description>
		</item>	
				 <item>
			<title>Projecting Britain: memories of screenings in Freetown, Enugu, and Uyo. </title>
			<link>http://www.counterpoint-online.org/projecting-britain/</link>
			<description>To coincide with Counterpoint's ongoing exploration of the British Council film archive of the 30s through 50s, we asked British Council employees to recount their experiences of using films as part of their work.
<br>
<br>
David Evans, who worked for the British Council from 1965-2002, here describes his memories of working with films abroad, and the far-reaching benefits, hilarity, even outrage, that ensued from their use.  Vividly describing the practical ways in which British films made their way into diverse communities around the world, by providing for example, the resonant image of a field ambulance converted into a travelling projectionist's van to tour films overseas in the 40s, David's observations also speak of the constructed nature of every culture's visual sensibility, and the role of film in the active structuring of cultural memory and identity.
</description>
		</item>	
				 <item>
			<title>Gang Culture: resources for research</title>
			<link>http://www.counterpoint-online.org/gang-culture-the-current-debate/</link>
			<description>Current research about ‘gangs’ explores the role of ethnicity/race, religion, politics and territory in gang formation, concepts of youth and masculinity, and the emergence of female gang members. A variety of approaches (sociological, psychological and biological) have been employed to explain the phenomenon of gang culture.</description>
		</item>	
				 <item>
			<title>Impressions of Tibet</title>
			<link>http://www.counterpoint-online.org/impressions-of-tibet/</link>
			<description>In recent years Tibet has been caught in conflicting flows of international media exposure.  High profile pop-cultural and civic movements in support of Tibet have by no means stopped a surfeit of stereotypes being levelled at its cultural universe.  Sun Shuyun, author, filmmaker, and a participant at Counterpoint’s recent The Inner Lives of Cultures conference is interviewed here on Bloomberg television about the 12 months she spent in a remote Tibetan village resulting in the television series A Year in Tibet, and book of the same name. 
<br>
<br>
Sun Shuyun’s insightful impressions of Tibet cover: the intermingling of tradition and technology; the everyday interdependence of science and faith; liberal attitudes towards private life, polyandry and polygamy; the ongoing battle between government control and community life, and the encroachment of a particular cultural modernity into the monasteries.  
</description>
		</item>	
				 <item>
			<title>The Intercultural Imperative, by Ramin Jahanbegloo</title>
			<link>http://www.counterpoint-online.org/the-intercultural-imperative-by-ramin-jahanbegloo/</link>
			<description></description>
		</item>	
				 <item>
			<title>Hamed Abdel-Samad: memoirs of a muslim in Europe</title>
			<link>http://www.counterpoint-online.org/hamed-abdel-samad-memoirs-of-a-muslim-in-europe/</link>
			<description></description>
		</item>	
				 <item>
			<title>Tzvetan Todorov and AC Grayling in conversation</title>
			<link>http://www.counterpoint-online.org/tzvetan-todorov-and-ac-grayling-conversation/</link>
			<description></description>
		</item>	
				 <item>
			<title>Performance piece inspired by Charles Leadbeater's Cloud Culture critique</title>
			<link>http://www.counterpoint-online.org/performance-piece-inspired-by-charles-leadbeaters-cloud-culture-critique/</link>
			<description>Students on the MA in Advanced Theatre Practise at the Central School of Speech and Drama are developing <em>Whose Cloud is it Anyway?</em> a durational performance project that takes Charles Leadbeater's critique of Cloud Culture for Counterpoint as its starting point.</description>
		</item>	
				 <item>
			<title>Eurozine - a collection of cultural journals online</title>
			<link>http://www.counterpoint-online.org/eurozine-a-collection-of-cultural-journals-online/</link>
			<description></description>
		</item>	
			
		
		
		
		
		
		
		
		
		
		
		
	</channel>	
</rss>	